The Tall Ships (Re-issue 2021) & Map Of The Past (Re-issue 2021)
It Bites fourth studio album ‘The Tall Ships’, originally released in 2008, will be getting a remastered reissue, with the album available on a new CD format, as well as for the first time ever on vinyl. Featuring a new remaster from John Mitchell, the CD edition also includes 2 bonus tracks as well as an additional booklet of liner notes written by the band. The vinyl will arrive as a Gatefold 180g 2LP+CD set including an LP-booklet and the bonus tracks on the CD. ‘The Tall Ships’ was the first It Bites album to feature singer & guitarist John Mitchell, and the bands first new music in nineteen years.
It Bites fifth studio album ‘Map Of The Past’, originally released in 2012, will be getting a remastered reissue, with the album available on new CD & Vinyl formats. Featuring a new remaster from John Mitchell, the CD edition also includes 2 bonus tracks as well as an additional booklet of liner notes written by the band. The vinyl will arrive as a Gatefold 180g 2LP+CD set including an LP-booklet and the bonus tracks on the CD. Map of the Past was the first concept album of It Bites twenty-five year career. It explores the theme of the past, as seen through old family photographs. There is a constant sense of nostalgia running through all of the songs and the listener gets to visit The Titanic along the musical journey.
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Officially launched in 1984, UK-based IT BITES are still a relevant and thought-provoking entity in 2012. Hailed as everything from prog to pop to art rock over the course of their career – which was temporarily halted by a 16 year break between 1990 and 2006 – the band continues to boast a diversity that has even their most devout fans guessing from album to album. Their new outing, Map Of The Past, keeps this tradition alive and kicking. “Basically, it’s about going back through the past and fixing everything that ever went wrong in a person’s life. It’s simple enough, because everyone looks back at the past with a mistyeyed longing. Most people remember their childhood fondly and are nostalgic about those things; it’s almost as if the past has a champagne filter on it. Some of it is a bit blurry, and you can’t revisit it, so that’s where the intrigue comes from.” Map of the Past is the first concept album of It Bites twenty-five year career. It explores the theme of the past, as seen through old family photographs. There is a constant sense of nostalgia running through all of the songs and the listener gets to visit The Titanic along the musical journey. John Mitchell and John Beck wrote the album over the course of 2011 and it was recorded at Outhouse Studios in Reading. Founder members Bob Dalton were joined by the multi-talented John Mitchell on guitars and lead vocals and Lee Pomeroy completes It Bites 2012 on Bass and backing vocals. “There’s never been a process where we’ve said ‘We need to do this here, we need a fast song there…’ That’s not how it works for us. Music is quite a fantastical notion, really. There was the thing in the ‘90s where everyone wanted to wear lumberjack shirts and gaze at their shoes (laughs), but I think music should be about escapism and other-worldliness. There’s enough dull shit that you have to deal with on a day-to-day basis, so the more preposterous we could make this record the better. So we did. We put the London Symphony Orchestra all over it and made it ridiculous. We wanted to make an album that’s better and more ridiculous than the last one (laughs).” “Ridiculous” meaning a complete disregard for any preconceived notion of what an It Bites record should sound like. “This band has never fit into any particular category, ever since I was a fan,” says Mitchell. “They weren’t a prog rock band, they weren’t a pop band, they weren’t a metal band. They dipped their toes into so many music areas over the years it’s difficult to pigeonhole this band.” “Everybody needs to compartmentalize a band because it makes them feel comfortable, but that’s not the essence of music. Music should challenge people even as they’re enjoying it. It should make them think. “That’s the fun of it. I want it to be so fantastic, and I don’t want it to be taken too seriously. I want people to listen to us and have the music take them on a journey. |