19 March 2018
Kino: launch stream of 'I Don't Know Why'
Kino:   launch stream of 'I Don't Know Why'

Kino are set to release their new album ‘Radio Voltaire’ on the 23rd March 2018, arriving 13 years after the band’s much-loved debut ‘Picture’ back in 2005. It sees John Mitchell (It Bites, Lonely Robot) & Pete Trewavas (Marillion) teaming up once more, with Craig Blundell (Steven Wilson) on drums & John Beck (It Bites) guesting on keyboards. 


Today sees the release of the third and final track to be taken from the album prior to release, titled ‘I Don’t Know Why’, and you can listen to it here:
https://youtu.be/zSEhyBbQbYM 


Pete Trewavas comments: “This is a kind of Jellyfish/Queen inspired song which I wrote just towards the end of the first Kino album sessions. It was just too late to be on the record but I remember playing it to John Mitchell while we were at his finishing off the ‘Picture’ album. At the time I expected it to be on the second album, which never happened until all these years later.”


Watch the video for ‘Grey Shapes on Concrete Fields’ here:
https://youtu.be/8KSphHgbV7I 


Listen to ‘The Dead Club’, the first track taken from the album here:
https://youtu.be/KqPC7x-OmhU 


The album will be available on Limited CD Digipak (including bonus tracks), Gatefold 180g Double Vinyl (incl. CD) & Digital Download. Digital pre-orders on iTunes and Amazon receive ‘The Dead Club’, ‘Grey Shapes on Concrete Fields’ & ‘I Don’t Know Why’ immediately. Pre-order now here:
https://kinomusic.lnk.to/RadioVoltaire 


Recorded at the end of 2017, writing began at the end of that Summer. “We actually began the writing process in late August” says John Mitchell. “Pete had a few tunes and so did I, and we went from there.” Mitchell and Trewavas were both a crucial part of the original band more than a decade ago, with the former providing lead vocals and guitar parts, while the latter played his trademark bass lines and also contributed backing vocals. 


Keyboard player John Beck, who is also a bandmate of Mitchell's in It Bites, has been brought back. But while he was fully involved on the debut album, this time his role is that of a guest musician. “Yes, I am delighted to say we've got John on board. His keyboard playing is splattered throughout the album, and I've also done the odd keyboard part myself.” The task of drummer this time fell to Craig Blundell, as Mitchell explains: “This time around Craig was the obvious choice to be the drummer, as far as I was concerned. I have worked with him so much that there was nobody else in the frame.”


Of the albums direction, Mitchell illustrates: “The title sounds very cool and obviously there's a connection with the band Cabaret Voltaire. But Voltaire himself (the 18th century French philosopher) had a fascination with death, which appealed to me. He also stood for freedom of speech and freedom of religion. On top of that, I love the idea of a radio station that would reflect his views on life and cut through the bullshit which seems to be all over politics. Now, that is the type of radio station I think would reflect what a lot of us want to hear.”


Kino are set to release their new album ‘Radio Voltaire’ on the 23rd March 2018, arriving 13 years after the band’s much-loved debut ‘Picture’ back in 2005. It sees John Mitchell (It Bites, Lonely Robot) & Pete Trewavas (Marillion) teaming up once more, with Craig Blundell (Steven Wilson) on drums & John Beck (It Bites) guesting on keyboards. 


Today sees the release of the third and final track to be taken from the album prior to release, titled ‘I Don’t Know Why’, and you can listen to it here:
https://youtu.be/zSEhyBbQbYM 


Pete Trewavas comments: “This is a kind of Jellyfish/Queen inspired song which I wrote just towards the end of the first Kino album sessions. It was just too late to be on the record but I remember playing it to John Mitchell while we were at his finishing off the ‘Picture’ album. At the time I expected it to be on the second album, which never happened until all these years later.”


Watch the video for ‘Grey Shapes on Concrete Fields’ here:
https://youtu.be/8KSphHgbV7I 


Listen to ‘The Dead Club’, the first track taken from the album here:
https://youtu.be/KqPC7x-OmhU 


The album will be available on Limited CD Digipak (including bonus tracks), Gatefold 180g Double Vinyl (incl. CD) & Digital Download. Digital pre-orders on iTunes and Amazon receive ‘The Dead Club’, ‘Grey Shapes on Concrete Fields’ & ‘I Don’t Know Why’ immediately. Pre-order now here:
https://kinomusic.lnk.to/RadioVoltaire 


Recorded at the end of 2017, writing began at the end of that Summer. “We actually began the writing process in late August” says John Mitchell. “Pete had a few tunes and so did I, and we went from there.” Mitchell and Trewavas were both a crucial part of the original band more than a decade ago, with the former providing lead vocals and guitar parts, while the latter played his trademark bass lines and also contributed backing vocals. 


Keyboard player John Beck, who is also a bandmate of Mitchell's in It Bites, has been brought back. But while he was fully involved on the debut album, this time his role is that of a guest musician. “Yes, I am delighted to say we've got John on board. His keyboard playing is splattered throughout the album, and I've also done the odd keyboard part myself.” The task of drummer this time fell to Craig Blundell, as Mitchell explains: “This time around Craig was the obvious choice to be the drummer, as far as I was concerned. I have worked with him so much that there was nobody else in the frame.”


Of the albums direction, Mitchell illustrates: “The title sounds very cool and obviously there's a connection with the band Cabaret Voltaire. But Voltaire himself (the 18th century French philosopher) had a fascination with death, which appealed to me. He also stood for freedom of speech and freedom of religion. On top of that, I love the idea of a radio station that would reflect his views on life and cut through the bullshit which seems to be all over politics. Now, that is the type of radio station I think would reflect what a lot of us want to hear.”

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